Elendil the Tall

Upon the shores where Númenor had died,
He rose like dawn from ruin’s ashen foam.
The stars themselves seemed gathered at his side,
To guide the Faithful to their northern home.

A king unthroned, yet crowned by fate’s decree,
He built his realms where ancient rivers shone.
In Arnor’s winds he carved his legacy,
In Gondor’s stones he set his father’s throne.

He marched with Gil‑galad through shadow’s breath,
Two flames united in the final stand.
And though he fell beneath the hand of death,
His light endured within the Dúnedain land.

So Elendil still walks where legends call—
A star‑crowned king, the tallest of them all.

The Turning of the Longest Night

The longest night descends with solemn grace,
A velvet hush that crowns the waiting earth.
The sun withdraws, yet leaves a tender trace,
A promise faint of dawn’s returning birth.

The stars burn bright upon the frosted air,
As if to guard the world in silver flame.
The trees stand still, in silhouettes laid bare,
And whisper ancient songs without a name.

Yet in this depth of shadow, light is sown—
A spark that stirs beneath the frozen seam.
For even darkness cannot claim the throne
When solstice wakes the year from winter’s dream.

So let the night be long, the silence deep—
For in its heart, the rising sun shall sleep.

Advent Love

The fourth flame blooms with gentle light,
A steadfast glow against the night.
It warms the cold of winter’s air,
And calls the heart to love and prayer.

No fear can dim this holy spark,
It shines through every weary dark.
A promise held since time began—
That love shall walk the world as man.

The waiting earth grows still and deep,
As shepherds stir from quiet sleep.
The heavens lean with breathless grace,
To watch love’s dawn take mortal place.

So let our hearts be open wide,
For love descends at eventide.
The fourth of Advent bids us see
The gift that sets all people free.

I Keep My Name

I hear you beating time outside the room,
coins of sound against the dark.
You think I’m waiting, shoes in hand,
but I have already crossed the night
barefoot, without your spell.

There’s nothing here I need to flee—
no debts, no names clinging to my coat.
I walk because I choose the road,
not because the dawn is cruel
or sleep has turned its back.

You call it freedom when the tune unravels me,
when the sky tilts and meaning slips.
I call it standing still
long enough to hear my own breath
thread itself through silence.

Yes, your rhythm loosens doors,
and your music knows the way past fear.
But I am not empty enough
to vanish into it,
nor lost enough to beg.

I’ve danced with shadows you mistake for truth,
watched mirrors learn to lie.
I won’t trade my weight, my name,
for the sweetness of forgetting
or the ache of borrowed wings.

So play—
play for the ones who need to disappear,
for those who must dissolve to survive.
I will walk beside the sound awhile,
then turn, whole, into myself.

And if you hear my steps fading
between the notes you throw to the wind,
know this:
I wasn’t following.
I was answering.

The Reivers’ Moon

At gloamin’ when the kye were still
An’ mist lay saft on hill an’ moss,
The Reivers saddled swift an’ sly
By Liddesdale an’ Hermitage Cross.

Na trumpet blawed, nae banner flew,
But steel was sworn an’ faith was thin;
A whispered oath, a sharpened spur—
They rode for blood, or rode for kin.

O black were nicht an’ blacker deeds
When moonlight kissed the broken dyke;
A door unbarred, a hound laid low,
A cry cut short by blade or pike.

“Whase kye are thae?” the rider laughed,
“Whase land is this?”—“It’s yours if taen.”
For March-law kent nae king nor crown,
But hand an’ horse an’ answered bane.

They kent the burns, the peat-hag ways,
The heather hid their passing weel;
By dawn they’d vanish like a prayer,
Leaving ash an’ grief to kneel.

Mither cursed them by the fire,
Priest prayed loud for stolen souls;
Yet sang the bairns of reiving men
O free folk born beyond control.

For crown to crown they’d bow their heads,
But ne’er to laird nor southern law;
The Border bred a harder creed—
Tak what ye can, an’ fear nae fa’.

Now quiet lies the riding land,
The towers are stane, the blades are rust;
But hear the wind on Carter Fell—
It still cries ride, it still cries trust.

Where the Falling Stops

I heard you before the music did.
Before the room learned how to listen.
You were already counting what was lost
as if loss were a form of devotion.

You went down by way of hunger.
By broken vows you still polished with your sleeve.
You called it love, then mercy,
then said the words no longer mattered.

I didn’t follow you there.
I was already underneath.

You were looking for the place where the body gives up
its small arguments with time,
where names fall away
and desire stops pretending it wants to be saved.

I knew that place.
I was raised in it.

You kissed as if each mouth were a confession.
As if forgiveness were something lips could negotiate.
You thought depth meant surrender.

You were wrong.
Depth is recognition.

I watched you kneel to the ache you carried
like a relic wrapped in silk.
You wanted to be undone by it.
You wanted it to prove you had loved enough.

But love isn’t proved.
It arrives.
It stays.
Or it doesn’t.

You went searching for God between two breaths,
between two strangers,
between the blade and the wound.
You called that holiness.

I stayed with the living.

I stayed where the hands remember
what the mouth refuses to say.
Where the heart learns restraint
without becoming cold.

You kept descending,
naming each step like a prayer,
until even the prayer grew tired of you.

I did not follow.
I did not need to.

There are depths that are not entered by falling.
There are depths that open only
when you stop trying to disappear.

You asked for a thousand kisses.
You mistook number for devotion.
You mistook hunger for truth.

I answer with one.

One that does not bruise.
One that does not beg.
One that does not need witnesses
or metaphors
or absolution.

One that remains
after the music ends,
after the voice breaks,
after the ache finally tells the truth.

And the truth is this:

You went looking for depth
as if it were a punishment.

I was already there,
waiting—
not to be taken,
not to be forgiven,
but to be met.

小星期五

小星期五
天仲未黑
心已經鬆開
老闆把聲
遠過收音機
咖啡變酒
訊息開始曖昧

高踭鞋未除
腰已記得節奏
笑聲黐住嘴角
唔乖,但好乖
唔醉,但想醉
條裙話:
「今晚,慢啲行」

時間學識眨眼
責任縮細
慾望坐正
我仲未放縱
但已經
唔係咁無辜

Little Friday,
the clock still pretending,
but my body knows better.
Emails lose their teeth,
coffee flirts with gin,
and the afternoon
starts winking at me.

My shoes remember music,
before my mind allows it.
I’m not reckless—
just creatively irresponsible.
Not drunk,
only generously open
to suggestion.

I haven’t crossed the line.
I’ve merely leaned on it,
hip cocked, smiling,
asking the line
what it’s doing later.

Ode to a Curved Delight

O sculpted curve, in moonlit velvet night,
Thou art the sly delight that turns all gaze;
A playful moon in mortal form so bright,
That sets the room alight with secret praise.

When steps do sway, the world itself does bend,
And hearts, like captive ships, are drawn ashore;
No art nor poet could thy grace transcend,
Thy gentle rise, thy teasing hidden lore.

Bold beacon of mischief, soft yet proud,
Thy rounded charm doth mock both shame and fear;
In thee resides both laughter and a shroud
Of whispered want that every soul doth hear.

O glorious orb, in motion or at rest,
All else seems dull compared to thy bequest.